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[staff profile] mark posting in [site community profile] dw_maintenance

Happy Saturday!

I'm going to be doing a little maintenance today. It will likely cause a tiny interruption of service (specifically for www.dreamwidth.org) on the order of 2-3 minutes while some settings propagate. If you're on a journal page, that should still work throughout!

If it doesn't work, the rollback plan is pretty quick, I'm just toggling a setting on how traffic gets to the site. I'll update this post if something goes wrong, but don't anticipate any interruption to be longer than 10 minutes even in a rollback situation.

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The good:
  • Scott Joplin wanted to write an opera and did (two, actually, but the first has not survived).
  • The audience was hyped. This was the first performance for the WNO since leaving the Kennedy Center, and the artistic director, Francesca Zambello, and general manager, Timothy O'Leary, received a standing ovation when they came out before the performance to give their standard welcome. The WNO had to arrange for new venues, a new ticketing system, and a new website all in the middle of the season. I still think Zambello has terrible taste in sets (or likes to hire directors or designers who do), but even I got out of my seat for them.
  • It's amazing what color and pattern can do: IMG_9978 The set was not lavish, but the detailed patterns and clever lighting did a lot to enliven the stage on a budget.
  • The director (Denyce Graves), conductor (Kedrick Armstrong), composer (Scott Joplin), and principal singers and dancers were all Black. This was clearly a labor of love for everyone involved, and they looked like they were having a good time.
  • I liked the choreography, and there was a lot of variation in styles throughout. The dancers were also very good.
  • In general there was a sense of joy that I'm not sure I've felt at a WNO performance, not even the gala.
The perfectly fine:
  • As the Wikipedia page for the opera notes, most of the music is not ragtime, so I didn't know what to expect. There are some lovely moments, but I think the most impressive achievement is invoking African American music in an otherwise standard opera. I leave it to others to debate whether it works or was a good idea.
  • There wasn't a bad singer in the bunch, though the Lisner Auditorium is smaller than the KC Opera House, so the orchestra was smaller and it was easier for voices to reach the cheap seats.
  • At one point, Vivian Goodwin (Treemonisha) sang and danced at the same time. This happens in other operas, but this dance was more physically demanding than, say, Carmen's or Salome's. It was closer to Zerbinetta.
The bad:
  • The auditorium was too warm, and we had made the mistake of eating a lot of salty fried food before hand. I should've bought a bottle of water before the performance, but the lobby was so small and crowded that I didn't want bother.
  • The overture was way too long.
  • I didn't like the mix of plain dialogue (added by Kyle Bass because some parts of the original opera have been lost), recitative, and through-composed singing.
  • Joplin's libretto rhymed, which was super, super annoying. It was like a 90-minute nursery rhyme.
  • WNO chose to highlight that the heroine of the story is an educated, peaceful Black woman, but there was also a didactic, preachy tone and an undercurrent of expectation that people should be able to pull themselves out of bad circumstances. Apparently in the Black community at the beginning of the 20th century, this was largely the influence of Booker T. Washington. I'm not a fan of blaming individuals for systemic failures.
  • At one point near the end, Goodwin let out this high-pitched shriek that sounded like a cat fight. I'm pretty sure it was a mistake, just not sure whether it was Goodwin's or Joplin's.

time out

Mar. 6th, 2026 11:13 pm
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I had the week off from work (though I did some work most days) and was able to catch up a bit on chores and sleep. I saw my optometrist, who confirmed that my prescription has changed, which is probably why I can't read for more than an hour without getting a headache. I scheduled an appointment with a new dentist. I took three bags of clothing and shoes to our local recycling center and donated a trunk full of household items to a thrift store. I think one sign of a tougher economy is the selection at thrift stores--there really wasn't much that tempted me, and it was easy to leave empty handed. I left my garden shears at the small engine repair place to be sharpened (gotta pick 'em up tomorrow). 

I napped every day but yesterday. We have a mouse problem, so I finally scheduled to have someone give an estimate for work to seal the house against entry. [The previous vendor put down snap traps but never seemed to completely seal the entry points.] Then in the afternoon I had a work call and spent some time cleaning items to donate. 

It's been a while since my last visit to a thrift store. I still like seeing what people are giving away; e.g., "smores makers" are still taking up shelf space, and most of the kitchen utensils were black plastic, probably from that study claiming that black plastic kitchen utensils cause cancer. I did a lot of shopping this week, and one thing I still believe is that there's entirely too much stuff in the world. If we stopped manufacturing mugs (beer, coffee, soup), I bet we wouldn't notice for a couple of years. Same thing for flimsy but ostensibly reusable tote/shopping bags and costume jewelry. 

The other work call I attended this week was for our next alt-text pilot. This time we have a blind scientist who uses screen readers helping us evaluate the vendor's work, and the call was to meet her. She was very nice and kept thanking us for doing the pilot, which was a little embarrassing. It's only a step up from the least we could do. Still, it was nice to see a real reminder of why we should be making our content more accessible. 

We also booked an actual vacation: we're going to Memphis in May for three days. We want to see Sun Studios and Stax Studios and possibly one of the music museums. We're staying at a hotel that has a vinyl lounge; we're hoping it's like the Tokyo record bar we visited, where talking is discouraged and the jacket of the album that's playing is displayed on the bar. 

OPERAMANIA: THE REMATCH!!!

Mar. 4th, 2026 12:04 pm
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Sad you didn't get a chance to see OperaMania last year? Well, it's back! On May 8, we will once again see the stars of the Toronto opera stage square off against the Junction City Wrestling crew!

The original is genuinely one of the best nights of live entertainment I've ever been to. I'm so excited to see what they come up with for the next one! If you're in Toronto or could be in May, check it out!
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